Adapted from Ayub Khan-Din's critically acclaimed West-End and Broadway production, Rafta Rafta, All In Good Time is a comedy set in an immigrant Indian community in Northern England, where two newlyweds find it hard to consummate their marriage.
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A love story between a man and woman. And between a mother and her son. A mystical and fantastical odyssey on love.
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Poster boy for the ruling class, Charlie Barnum has it all, the perfect wife, the property portfolio and the loyalty of his best friend. The fact that Charlie requires Viagra to have sex with his wife, is losing his properties, and has seduced his best friend's wife, means nothing to Charlie, because Charlie is living on dangerously borrowed time. An innocent working class girl is killed in a hit and run, and, as the blood pours from her injuries, Charlie, the man who knocked her down, consults his deck of playing cards and chooses to abdicate responsibility for all future deeds. Lies become truths, reality becomes fantasy, and, as Charlie embroils the three comfortable couples in the ugly excesses and sanctimonious prejudices of his new found power, they discover some deeply disturbing truths about each other. Employing dangerously subversive, provocatively dark, and satirically disturbing humor, Charlie Casanova re-imagines Billy Liar and Walter Mitty as a sickeningly compelling anti-hero, delving deep into the psychologically disturbing, shallowly suicidal, degenerately greedy needs of a group of moneyed people who had it all, threw it all away, then decided to blame the entire working class.
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In the year 1752, Joshua and Naomi Collins, with young son Barnabas, set sail from Liverpool, England to start a new life in America. But even an ocean was not enough to escape the mysterious curse that has plagued their family. Two decades pass and Barnabas has the world at his feet-or at least the town of Collinsport, Maine. The master of Collinwood Manor, Barnabas is rich, powerful and an inveterate playboy...until he makes the grave mistake of breaking the heart of Angelique Brouchard. A witch, in every sense of the word, Angelique dooms him to a fate worse than death: turning him into a vampire, and then burying him alive. Two centuries later, Barnabas is inadvertently freed from his tomb and emerges into the very changed world of 1972. He returns to Collinwood Manor to find that his once-grand estate has fallen into ruin. The dysfunctional remnants of the Collins family have fared little better, each harboring their own dark secrets. Matriarch Elizabeth Collins Stoddard has called upon live-in psychiatrist, Dr. Julia Hoffman, to help with her family troubles.
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A version of the German legend in which a man who sells his soul to the devil in exchange for knowledge.
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